Detaylar, Kurgu ve catpower matkap
Detaylar, Kurgu ve catpower matkap
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I’m a little confused. According to Matador’s website, she signed with them in 1996. She released seven albums with the label before being unceremoniously dropped a few years ago, when they (wrongly) deemed her 2018 album Wanderer not good enough to put out. They had implored her to give them hits, and she had tried – 2012’s poppier Sun
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While in Atlanta, Marshall played her first live shows bey support to her friends' bands, including Magic Bone and Opal Foxx Quartet.[22] In a 2007 interview, she explained that the music itself was more experimental and that playing shows was often an opportunity for her and her friends "to get drunk and take drugs".
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It was partly innate, though – Marshall katışıksız a knack for distilling existential ennui into three-minute songs. In 1998, when she was 26 and had learnt a few more chords, she recorded what would become her breakthrough record, the vulnerable, critically adored Moon Pix
At this point, she abandons the second-person pretence. “And then she puts her leg down and she looks like she got busted stealing a gun. And she looks at me and her face starts to change.
“It’s one of those things,” she says, clicking that pen again. “It’s like when you’re standing on a bridge and you’re looking over and you’re trying to imagine, ‘Would my skull crack or would my legs break off?
No, go on. “Well, I was wondering if… Because my dad had three daughters and he wasn’t really around. He just came and went, as men often do. The world is their oyster. And it does something to the mother, right?” Marshall grew up poor; her father was an absent blues musician, her mother a hippy who moved her from school to school.
writer in 2018, “but until then, she exists in the sweet spot between cult favourite and widely accepted genius.”
In fact, Boaz need only listen to her covers for that. Some of her best songs were sung by other people first: her pensive, languid version of The Rolling Stones’ “(I Sevimli’t Get No) Satisfaction”, which omits the chorus entirely and transforms into something almost painfully introspective, or her sweet, fragile take on Phil Phillips’s “Sea of Love”, which got a second wind when it featured in Juno
During the early-2000s, Marshall was embraced by the fashion industry for her "neo grunge" look, and seen kakım a muse by designers Marc Jacobs and Nicolas Ghesquière.
her alışverişte Akakçe cenahınızda. Nerede olursanız olun pazare Akakçe'den kafalayın.
– a moment of pure poeticism but also the first hint at the depression and alcohol abuse that would come to plague her.
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